On my morning poodle walks with Ari I have noticed how the Bluff Boat Ramp car park extension at the western end of Encounter Bay is taking out a beach to construct a carpark for boaties, which will they only use during the peak summer Xmas season.
The extension allows for an additional 34 parking spaces to accommodate 14 boat trailers and 20 cars. Currently there are 34 parking spaces for boaies at the Bluff Boat Ramp car park, and this only overflows 4 days a year around Xmas with the summer influx of boaties. The extension costs $548,300 with the Victor Harbor Council receiving funding of $242,150 from the state government for the project.The extension has State Agency (DPTI) support of the project and it was approved by the Development Assessment Commission.
Bluff carpark extension
The current parking area in front of Whalers is used by boaties, school buses, paddlers and sightseers and there is space for approximately 60 cars. But with the boat ramp expansion the parking area will be reduced to only 20 with the rest of area being used strictly for boaties and their cars and trailers. So half a million is being spent for the current car park for boaties and their trailers that will be used for 4 days a year.
A beach goes in the name of car parks to foster tourism.
The recent stormy, winter weather has meant that our poodle walks have been mostly along the back country roads since they offer some protection from the wind. We have only infrequently walked along the coastline because it is usually windswept: battered by the south-westerly winds and intense rain.
The picture below is from one of the rare occasions during July that we ventured onto Rosetta Head. We waited in the Subaru Forester for the squalls to pass through, then we went for our walk around Rosetta Head keeping an eye on the incoming squalls coming from the south.
car park, Petrel Cove
Whilst we were waiting in the Subaru for the squalls to pass I took some photos of the landscape through the windscreen of the Forester.
If cities are now seen as ‘engines for innovation and growth’, then the smart city paradigm is seen to involve the application of information and communication technology, environmental sensors, digital footprints of the inhabitants, manipulation of the resulting data using statistical techniques, and finally the use of complexity modelling and advanced visualisation in order to make sense of it all.
These assemblages aim to promote efficiency, productivity, and safety and to reduce uncertainty in the management of places. Smart city initiatives have been closely linked to the forms of accelerated living that increasingly dominate everyday life in the global metropolitan era. Smart cities are fast cities, efficient cities, controlled cities.
Poodlewalks are about slowness in a city increasingly dominated by speed and movement, acceleration and flow–wandering into car parks and observing the light on the built environment. Slowness stands for slowing down–for deceleration, detour, delay, interruption, inertia, stoppage and immobility. It stands for decelerated living in the context of the embrace and internalization of a culture of speed and hypermobility (of people, data, goods, capital, etc).
Adelaide’s traffic congestion has been steadily increasing over the past decade and it will continue to do so over the next decade. The problem is that there are too many cars on the roads. The RAA’s solution is to build bigger and better arterial roads whilst the Property Council’s main policy appears to be to not have a car park tax. Adelaide’s city property sector often ties cheap car parking to successful commercial and retail models.
Both solutions increase Adelaide’s dependency on cars and ignore how congestion would be a disaster for the city economy and social well-being of its residents. It is often quite unpleasant to walk around the city on a poodle walk.
The city of Adelaide supports a heavily car dependent metropolitan workforce, in fact it is one of the most car dependent in the western world whilst its car parking is the cheapest and most plentiful by far of Australia’s major capitals.
I had an hour off yesterday morning and I wandered around the Adelaide Central Market with Suzanne’s Olympus X-Z1. This travel camera is suitable for the low light conditions in the market.
I ended up exploring the car park:
I was looking for possible locations in the car park to use a camera and tripod. I had this previous image in mind. I wanted to develop the car park theme.
I keep on taking photos of the Adelaide skyline from within car parks. But I’m not really sure why I’m doing this or the reason behind it apart from it being part of a poodlewalk and that few photographers are exploring Adelaide’s skylines.
These kind of pictures assume a view from nowhere —a God’s eye view that trades on 19th century photography’s claim that because its imagery was produced by a mechanical process therefore photography was inherently more truthful than painting or drawing.
This photography’s objectivity, which depends on the assumption of an external framework for understanding that transcends limited viewpoints, biased arguments or individual preferences; an Archimedean point from which an externally verifiable reality may be viewed. What is eliminated is the human subjectivity of being in the world–our experience of that world which shapes how we view it.
I went for a quick a walk around the Central Market precinct this morning after breakfast. It was overcast, muggy and the light was soft. I had a coffee at The Marquis amongst the lawyers, and glanced through the AFR for possible material to bounce off for my public opinion blog.
I put some medium format film into Photoco to be developed, and then started exploring the central market area itself.
Would this picture work as a large format shoot I wondered? I was unsure. I’ll keep coming back to it to have a look.
The market is very dark without the artificial lights, and the neon lights in the various stalls makes the light that falls on the produce contrasty and really ugly. I was looking for an area with vegetables and natural light. I had in mind some sort of still life.